The Saint 007 wrote:Omega wrote:I think there could be a point about Moore making weaker scripts work.
I think Dalton and brosnan did too but Moore got some particularity weak scripts that he pulled off. Moore didn't get a frwl, ohmss, ltk, ge. Each of the bonds got at least one movie that they shine in, even their detractor s say is ok . Moore has a few people who like his bond point out but those movie do not seem to be as accepted as the other bonds.
I'm not trying to put Moore down I think he didn't have a fair chance judging by daf, the fact he enjoyed as much success is a testament to his ability to pull it off despite the handicap.
Sent from my iPhone using Tapatalk
The Spy Who Loved Me and
For Your Eyes Only are Moore's most highly rated Bond films, although
Live And Let Die also seems to get a decent amount of praise from fans as well. While his other Bond films get mixed reviews, there's still plenty of people who appreciate them. The Moore era isn't perfect, but the combination of Moore's charming and humorous nature along with qualities like cool soundtracks, characters, action/stunts, set pieces, etc., all just seemed to work and made his films very enjoyable and entertaining, in my opinion.
I'm really not dissing Moore as a actor or his Bond,
His problem was the producers were not taking bond seriously, they hired pretty but apparently dumb girls who could not act. ( it's like Moore kept getting denise Richards cast as his leading lady each movie.) And that jail bait skater girl in fyeo,
It may be that I'm of a generation who had Dalton and brosnan movies as my introduction to bond .
Imo Moore had some
Bad ass scenes that were as serious and cold blooded as anything bond would ever do. But he never got the full package like the others bonds got at least once because the producers were too obsessed with 70s culture and other popular culture to bother about getting bond just right.
Maybe to people my age his movies seem tied to a time we don't know much about, imo even though all the movies are a product of their time it's more of a backdrop thing, yes that's a joke of a cell phone brosnan had in today's standard but it didn't distract from the story . It was not so front and center that it can't be ignored, for me it's hard to separate the girls who can't act and 70s trappings and poor technology .
Imp Moore was screwed over because he didn't get a fair chance to show what he could do. With out the producers getting in the way. Maybe I'm wrong about that .
Sent from my iPhone using Tapatalk