Jedi007 wrote:I do have a question for you Sweeney: why do you hate Brosnan? Is it because his films are not serious? But if that's the case why not hate Moore, when his films are more lighter than Brosnan's? In the serious department Dalton may be on top of him, but I do like Brosnan because he has successfully combined Bond's seriousness with Bond's cinematic humor.
I don't hate Brozza. I actually quite like the guy. I just didn't like the films he appeared in. With the Moore films, I guess I tolerate them more because there is a sense of nostalgia with them, mixing that with reminding me of childhood, when I watched these films as a kid. Because of that, it is a little harder to judge those films objectively.
By the time of AVTAK, I started to see the Moore films for what they were, (growing out of puberty, etc.) and I hated Moore's last film even more than Brosnan's. Especially that by this stage I had started reading the books, and suddenly realised the Moore films were nothing like them.
Then Dalton came along, like a breath of fresh air. TLD was superb, and LTK even better.
With Brosnan, his films came on the back of LTK (the CR of its day). So I had a taste of the more serious films, and thought they would have continued along the path set out by Dalton. Unfortunately, they never did, and I guess my tolerance level for anything remotely silly, too humourous, straying too far from Fleming, etc. is way too low now.
CR is not faultless either. There are the odd cringeworthy lines (the train scene with Vesper, little finger line, etc.), the action sometimes gets borderline Brosnan (Miami airport, Madagascar, Venice) but the film for once tries to honour as much as it can the essence of the novels, and for once tries to keep comedy to a bare minimum.
For this I am grateful, and feel like we are back in 1989 again (or 1990), right off the back of LTK. Guess I should be grateful to Matt Damon, Greengrass and co. too for reminding EON how the tone and action of Bond should be....
